The Earthen Stone Vessel

The scientific description of this ancient vessel is approximately 8” in height and approximately 8” in diameter. The outer lip of the vessel has a distinct “V” shaped groove or “rim notch” in it representing the point at which the contents would have been poured out of the vessel. The inside of the vessel shows stains that indicated it was used only in the horizontal position, meaning it seems that it was never used to store liquid in the upright position. The outside of the vessel is decorated with eight “V” shaped designs each consisting of seven vertical lines that form the “V”. These designs are connected at the top to a ring which encompasses the vessel opening like a collar, and at the bottom by a smaller ring around the mid section of the vessel. This smaller ring has seven sets of seven diagonal lines detruding down from it totaling 49 lines.

There is evidence of an additional “splash mark” on the lower portion of the vessel and to the left of the rim notch in the lip. It was also possible to determine a location for the placement for a mans hand due to impressions for a thumb and finger digits on the vessel, with the right hand being held diagonally over the outside splash mark and in a natural indentation for the knuckle of the index finger while the index finger of the “clean” right hand would be pointing North to the rim notch. The left “unclean” hand fits perfectly on the bottom or “dirty” side of the vessel and with the two hands holding the vessel in this position it is possible to see how it was held to pour out its contents.

Only To be Held in This Position

Additional evidence assessed by Dr. Carl Baugh, PhD, archeologist have identified the hand impressions on the vessel are of a male, and the ‘clean’ right hand over the Blood of the Covenant pointing to the ‘12 o’clock mark or rim mark. The ‘unclean’ left hand is at the bottom of the vessel where the blackest of the black is painted indicating curses of God. The imprint of the hands onto the vessel is precise and the meanings are profound for the Hebrew people. The internal water line for the earthen vessel purification rites have been confirmed by testing that only in this precise side lying position was the vessel held for the water of purification containing the cedar wood, the hyssop, the crimson woolen cord.

Photographic Evidence

Museum quality photos were extensively taken by believers in preparation for the requirement of copyrighted materials for the foundation. We have photograph evidence to red and blue alternating colors observed from the mouth of the vessel as well as the vessel foundation (not shown). This pattern of electric energy is similar to the world famous ‘Kirlian’ photos showing life or ‘Ki’ in the Creator’s living gifts from nature. All of the scientists have assessed the electrical field emanating from the vessel. Additional electrical field studies have confirmed the same pattern of blue and red related to the earthen vessel.

Photographic evidence taken from Mount Sinai and Mount Horeb correlate to a summary ‘360 degree view’ depicted in typical Hebrew format of putting the evidence of their witness into a monument. This earthen vessel has the additional eyewitness from the explorers. They have spoken as to the accuracy as to details depicted on the vessel based on their own experience and upon close examination of this earthen vessel. From the compared photos and eyewitness details, only the prophet Moses would have been able to draw this vessel art work regarding Mount Sinai and Mount Horeb with the unique key terrain markers. Areas drawn were not seen by the children of Israel during this period of the Exodus and would make Moses the only individual with the knowledge to have applied the artwork to the vessel. The Egyptian site is NOT the site of the drawings on this vessel.

Hebraic Nature in Art

The descriptions of the uniqueness of Hebrew pottery. The literature states that Arab nomads had absolutely no use for an earthenware pot, they preferred wooden or skins. The Jewish pottery use was for tabernacle service in regards to clean and unclean. The dating of the vessel by descriptive is by making of colored drawings on the jars known at an early period and they date this to ‘pre-exilc” times.’ Of this period, the painted ornamentation of lines was perhaps the most unique characteristic. Of interest they write: The differences are so great as to permit one to regard this form of decoration as a native (Hebrew) production. The vessel has 7 sets of 7 on the ‘thorn pattern’ and 8 sets of 7 lines in the ‘crown pattern.’ Other vessels that have been examined have none of the patterns depicted fully on this vessel. Our foundation’s earthenware vessel is a magnificent piece of art and the full glory of the acts of God are depicted on it.

The Hebrew imagery in word pictures and the multiple levels of interpretation makes the art of this vessel most unique. In our research to understand the markings, we have undertaken a massive search on the internet, through books and travel into little known places to obtain the photographs of similar art work from Hebrew people. Moses wrote the descriptive for an entire nation of illiterate slaves. Perhaps only Moses had the skills of writing. The Almighty God of Israel would not have allowed the heathen Egyptian’s to do the writing for His people, after all, the great I AM had called them out of Egypt to worship HIM.